"This indie orchestra gives classical music a jolt of energy"
says Spin Magazine

“Independent” and “Orchestra” are not two words you
often hear in the same breath. Nevertheless, that’s exactly what
The Portland Cello Project is: an indie cello orchestra.

In the course of one of The Portland Cello Project’s (or, PCP, as their fans affectionately call them), epic 2-3 hour shows (the format of which is always a one-time affair the group writes almost entirely new arrangements for every performance cycle) you'll see such sights as: old ladies, straight out of the symphony hall nodding their head to cello hip-hop; young children playing air cello while dancing to 16 cellos accompanying The Builders and The Butchers; hipsters too-cool-for-school mesmerized by Arvo Paert; members of the Decemberists playing late 19th century Russian compositions transcribed for Hammond Organ, a 40-piece choir, and of course: a symphony of cellos.

The cello is more-or-less the only constant in this amorphous collective from Portland, Oregon. Yet there is an organizer holding this anarchic display of controlled chaos together. You'll see him sitting in the back row of the cello section at all of these shows, as if to appear an anonymous member of the horde. This is Douglas Jenkins. Jenkins, who often pens15-20 new scores for each performance, has led the band through two previous CD's of original songs and covers, and has been at the heart of the band's rise to immense popularity in their hometown.

The group's newest full-length is being released on June 9th, 2009 on their new label, local independent Kill Rock Stars. This CD and indeed the relationship forged with this well-suited record label embodies the group's belief that "collaboration is the cornerstone of independence and artistic freedom." Beyond the numerous musical collaborations, the group has performed in support spots for such diverse artists as Pink Martini; heavy metal god Buckethead; cellist Matt Haimovitz; and Tokyo’s shamisen masters, The Yoshida Brothers. PCP performances are unique and eclectic, as likely to mix a Salt N Pepa cover with Bach and follow the medley with something sublime by Arvo Pärt or WEINLAND, as they are to enlist beatbox/comedian/playwright Reggie Watts to collaborate on-stage with them, improvising a cover of a Britney Spears song.

Although it's no longer an anomaly for popular musicians to work with an orchestra, it tends to be on the symphony's terms, in the symphony's concert halls, and for the symphony's exclusive rates. The classically trained cellists of The Portland Cello Project are working to reverse that tradition by making their talents accessible to their guests wildest dreams, while bringing the instrument into venues where you wouldn't normally see cellos. With this in mind, the group will be touring throughout 2010/2011, bringing their collaborative philosophy to a dirty punk club and/or PAC near you!